I am a London-based film and television editor, cutting features, high-end episodic drama and short form.

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Having trained at Bournemouth Film School, I began my career in visual effects at Industrial Light & Magic and Lucasfilm, before moving into editorial where I assisted established editors on productions for Disney, Universal, Warner Bros., Amazon, MGM, Amblin, StudioCanal, Working Title, Heyday Films, LuckyChap and Aardman.

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Subsequently, I assembled two debut features for editor George Cragg - Savanah Leaf's Earth Mama (A24, Film4), which premiered at Sundance, competed for Best First Feature at BFI London, and won the BIFA for Best Debut Director and BAFTA for Outstanding Debut, and Christopher Andrews’s Bring Them Down (MUBI), which premiered at Toronto (TIFF), competed for Best Film at BFI London and won the BIFA for Best Debut Director.

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My first feature as editor, Atomen - directed by Kate Cragg and shot by Daniel Landin BSC - premiered at Sofia, and I have since cut BAFTA winner Stroma Cairns's debut feature, The Son and the Sea, for BBC Film, and Rebekah Fortune's sophomore, Learning to Breathe Under Water, produced by Jack Tarling for Screen Ireland - both of which were selected for the BFI and British Council's Great 8 showcase at Cannes.

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In television, I cut my first episode of high-end drama on Beta Film's miniseries Estonia for director Måns Månsson, which premiered at TIFF, before cutting the second episode of Ronan Bennett’s series adaptation of The Day of the Jackal, directed by Brian Kirk for Carnival Films, NBCUniversal, Sky and Peacock.

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I have edited in German, Spanish, Swedish, Finnish, Estonian, Ukrainian, Irish, and British Sign Language (BSL).

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I am an associate member of the British Film Editors, a BAFTA Connect member, and a BAFTA Crew alumnus.

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I am always looking to build relationships with new collaborators and am open to all types of projects.