I am a London-based film and television editor, cutting features, high-end episodic drama and short form.

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Having trained at Bournemouth Film School, I began my career in visual effects at Industrial Light & Magic and Lucasfilm, before moving into editorial where I assisted established editors on productions for Disney, Universal, Warner Bros., Amazon MGM, Amblin, StudioCanal, Working Title, Heyday Films, LuckyChap and Aardman.

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Subsequently, I assembled two debut features for editor George Cragg - Savanah Leaf's Earth Mama (A24, Film4), which premiered at Sundance and won the BAFTA for Outstanding Debut, and Christopher Andrews’s Bring Them Down (MUBI), which premiered at Toronto (TIFF). Both won the BIFA for Best Debut Director.

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My first feature as editor was Kate Cragg's debut Atomen. I have since cut BAFTA winner Stroma Cairns's debut, The Son and the Sea (BBC Film), which premiered at TIFF, and Rebekah Fortune's sophomore, Learning to Breathe Under Water (Screen Ireland) - both were selected for the BFI/British Council Great 8 at Cannes.

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In television, I cut my first episode of high-end drama on Beta Film's miniseries Estonia for director Måns Månsson, which premiered at TIFF, before cutting an episode of Ronan Bennett’s Golden Globe nominated series adaptation of The Day of the Jackal, directed by Brian Kirk for Carnival, NBCUniversal, Sky and Peacock.

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Short films I have edited have competed at numerous Academy Award and BAFTA qualifying festivals, including Baz Sells's BAFTA winning and BIFA nominated short Two Black Boys in Paradise (BFI).

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I have edited in German, Spanish, Swedish, Finnish, Estonian, Ukrainian, Irish, and British Sign Language (BSL).

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I am an associate member of the British Film Editors, a BAFTA Connect member, and Berlinale Talents alumnus.

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I am always looking to build relationships with new collaborators and am open to all types of projects.